Nuno Sousa Vieira
Exhibition view, "Desisto — o que não vejo imagino", 3+1 Arte Contemporânea, Lisbon, 2026
(photo: Bruno Lopes)
Exhibition view, "Desisto — o que não vejo imagino", 3+1 Arte Contemporânea, Lisbon, 2026
(photo: Bruno Lopes)
Exhibition view, "Without stepping on the ground", Appleton, Lisbon, 2025
(photo: TSPT Studio Lab, courtesy Appleton)
Exhibition view, "Without stepping on the ground", Appleton, Lisbon, 2025
(photo: TSPT Studio Lab, courtesy Appleton)
Exhibition view, "Inhabitants ou imitar o andar", 3+1 Arte Contemporânea, Lisbon, 2023
(photo: Bruno Lopes)
Exhibition view, "Inhabitants ou imitar o andar", 3+1 Arte Contemporânea, Lisbon, 2023
(photo: Bruno Lopes)
Exhibition view, "Pelo que não se vê", curated by Rita Gaspar Vieira, Centro de Arte e Imagem - Galeria do IPT, Tomar, 2023
(photo: Francisco Rodrigues)
Exhibition view, "Pelo que não se vê", curated by Rita Gaspar Vieira, Centro de Arte e Imagem - Galeria do IPT, Tomar, 2023
(photo: Francisco Rodrigues)
Exhibition view, "Oculto", curated by Isabella Lenzi, Travessa da Ermida, Lisbon 2021
(photo: Bruno Lopes)
Exhibition view, "Oculto", curated by Isabella Lenzi, Travessa da Ermida, Lisbon 2021
(photo: Bruno Lopes)
Exhibition view, "Deep Line", Fundação Carmona e Costa, Lisboa, 2020
Exhibition view, "Deep Line", Fundação Carmona e Costa, Lisboa, 2020
Exhibition view, "Constellations II", Berardo Museum, Lisbon, 2019
Exhibition view, "Constellations II", Berardo Museum, Lisbon, 2019
Exhibition view, "Constellarions: A choreography of minimal gestures", curated by Ana Rito and Hugo Barata, Berardo Collection Museum, Lisbon, 2019
(photo: David Rato)
Exhibition view, "Constellarions: A choreography of minimal gestures", curated by Ana Rito and Hugo Barata, Berardo Collection Museum, Lisbon, 2019
(photo: David Rato)
Exhibition view, "Me, myself and the others", 3+1 Arte Contemporânea, Lisbon 2019
Exhibition view, "Me, myself and the others", 3+1 Arte Contemporânea, Lisbon 2019
Exhibition view, "Desisto — o que não vejo imagino", 3+1 Arte Contemporânea, Lisbon, 2026
(photo: Bruno Lopes)
Exhibition view, "Without stepping on the ground", Appleton, Lisbon, 2025
(photo: TSPT Studio Lab, courtesy Appleton)
Exhibition view, "Inhabitants ou imitar o andar", 3+1 Arte Contemporânea, Lisbon, 2023
(photo: Bruno Lopes)
Exhibition view, "Pelo que não se vê", curated by Rita Gaspar Vieira, Centro de Arte e Imagem - Galeria do IPT, Tomar, 2023
(photo: Francisco Rodrigues)
Exhibition view, "Oculto", curated by Isabella Lenzi, Travessa da Ermida, Lisbon 2021
(photo: Bruno Lopes)
Exhibition view, "Deep Line", Fundação Carmona e Costa, Lisboa, 2020
Exhibition view, "Constellations II", Berardo Museum, Lisbon, 2019
Exhibition view, "Constellarions: A choreography of minimal gestures", curated by Ana Rito and Hugo Barata, Berardo Collection Museum, Lisbon, 2019
(photo: David Rato)
Exhibition view, "Me, myself and the others", 3+1 Arte Contemporânea, Lisbon 2019
Exhibition view, "Nasci num dia curto de inverno", Fundação Portuguesa de Comunicações, Lisbon, 2017
Exhibition view, "Portugal Portugueses Arte Contemporânea", Museu Afro Brasil, São Paulo, 2017. (photo: Henrique Luz)
Nuno Sousa Vieira (1971, Leiria, Portugal) lives and works between Leiria and Lisbon. PhD degree with the thesis “O Ateliê – Do Mundo Para o Lugar. Sala de Exposição (1971/2015)” by Faculdade de Belas Artes da Universidade de Lisboa. Sousa Vieira’s work has been developed in close articulation with the former plastics factory SIMALA, where he established his studio between 2001 and 2021. His sculptures, composed of a vast array of industrial materials, architectural elements, and neglected furniture, result from a process of translating the workspace into work material, and later into work subject.
Selected exhibitions: Desisto – o que não vejo imagino, 3+1 Arte Contemporânea, Lisbon (2026); Sem pisar o chão, curated by Carolina Trigueiros, Appleton, Lisbon (2025); Canhoto As Zurdo (with Tamara Arroyo), curated by Sérgio Fazenda Rodrigues and Virginia Torrente, Kindred Spirit, Lisbon, and Nadie Nunca Nada No, Madrid (2024); Inhabitants ou Imitar o andar, 3+1 Arte Contemporânea, Lisbon (2023); Pelo que não se vê, curated by Rita Gaspar Vieira, Centro de Arte e Imagem – Galeria do IPT, Tomar (2023); Uma Vida Inteira, curated by Ana Rito, Banco das Artes Galeria, Leiria (2021); Bom dia lua, Museu Municipal Amadeo de Souza Cardoso, Amarante (2021); Deep Line, Fundação Carmona e Costa, Lisbon (2020); Me, myself and the others, 3+1 Arte Contemporânea, Lisboa (2019); Constellations: a choreography of minimal gestures, curated by Ana Rito & Hugo Barata, Museu Coleção Berardo, CCB, Lisbon (2019); Nasci num dia curto de inverno, Fundação Portuguesas das Comunicações, Lisbon (2017); Portugal Portugueses, curated by Emanuel Araújo, Museu Afro Brasil, São Paulo (2016); Uma vida inteira, Fábrica de plásticos Simala, Leiria (2014); Uma ateliê, uma fábrica e uma sala de exposição, nem sempre por esta ordem, Círculo de Artes Plásticas de Coimbra, Coimbra (2013); Wall stop for this, Appleton – Associação Cultura, Lisbon (2012); Collecting collections and concepts, uma viagem iconoclasta por coleções de coisas em formas de assim, Guimarães Capital Europeia da Cultura, Fábrica ASA, Guimarães (2012); Somos nós que mudamos quando tomamos efetivamente conhecimento do outro, Pavilhão Branco, Lisbon (2011); Don’t underestimate the impact of the workplace, comissioned by MA Curatorial Practice, University College Falmouth, Newlyn Art Gallery, Newlyn (2010); Let’s Talk About Houses: When Art Speaks Architecture [BUILDING, UNBUILDING, INHABIT], curated by Delfim Sardo, Museu do Chiado, Lisbon (2010).
National and international collections include: PINTA – Latin América, Miami, USA; Modern Art Museum of Rio de Janeiro, Rio de Janeiro, Brazil; Navacerrada Collection, Madrid, Spain; Teixeira de Freitas Collection, Portugal; António Cachola Collection, Elvas, Portugal; PLMJ Collection, Lisbon, Portugal; Calouste Gulbenkian Foundation Collection, Lisbon, Portugal; and the Portuguese State’s Contemporary Art Collection; amongst other public and private collections.
Selected works
Elemento 1: duplo vivo, 2026
Oil on linen, 90,5 x 49,5 x 3 cm
Elemento 1: duplo vivo, 2026
Oil on linen, 90,5 x 49,5 x 3 cm
O Corpo-Ferida, 2026
Oil on linen and cotton thread, 40 x 32 cm
O Corpo-Ferida, 2026
Oil on linen and cotton thread, 40 x 32 cm
Rebatimentos, rotações e outros movimentos, 2022 - 2025
Oil on linen canvas and mahogany wood, 170 x 110 x 78 cm
Rebatimentos, rotações e outros movimentos, 2022 - 2025
Oil on linen canvas and mahogany wood, 170 x 110 x 78 cm
Visão homogénea, 2024
Folded carbon paper and wood, 42.5 x 35 x 47 cm
Visão homogénea, 2024
Folded carbon paper and wood, 42.5 x 35 x 47 cm
E=E, 2023
Industrial paint on ceiling lamps from the SIMALA studio, fluorescent lamp, steel cable, electrical cable, stainless steel clamp, braided nylon rope and heat shrink cable, Variable dimensions. Photo: Bruno Lopes
E=E, 2023
Industrial paint on ceiling lamps from the SIMALA studio, fluorescent lamp, steel cable, electrical cable, stainless steel clamp, braided nylon rope and heat shrink cable, Variable dimensions. Photo: Bruno Lopes
Sala de exposição - norma, 2001-2021, Modular iron structure, iron fittings and lacquering with RAL (6021), 300 x 400 x 500 cm
Sala de exposição - norma, 2001-2021, Modular iron structure, iron fittings and lacquering with RAL (6021), 300 x 400 x 500 cm
Visão embaçada (série 2) IV, 2021
Acrílico sobre vidro e acrílico sobre MDF
104.5 x 65.5 x 6 cm
Visão embaçada (série 2) IV, 2021
Acrílico sobre vidro e acrílico sobre MDF
104.5 x 65.5 x 6 cm
Vogais e consoantes #1, 2021, Acrylic on bible papel, 79 x 69,5 x 4 cm
Vogais e consoantes #1, 2021, Acrylic on bible papel, 79 x 69,5 x 4 cm
Vogais e consoantes #3, 2021, Acrylic on bible papel, 67 x 72,5 x 4 cm
Vogais e consoantes #3, 2021, Acrylic on bible papel, 67 x 72,5 x 4 cm
Armadilha 1, 2018
Wooden chairs and plywood, wood and hardware, 95.5 x 185 x 185 cm
Armadilha 1, 2018
Wooden chairs and plywood, wood and hardware, 95.5 x 185 x 185 cm
Prefiro as linhas tortas II, 2017
Lacquered iron, rubber and graphite on a medium isometric notebook,
300 x 80 x 5 cm
Prefiro as linhas tortas II, 2017
Lacquered iron, rubber and graphite on a medium isometric notebook,
300 x 80 x 5 cm
Guarda a 30 cm do chão, 2011, Metal replica of railing from artist's atelier and concrete. Action performed by artist or someone representing artist during opening, 125 x 350 (diam.) cm
Guarda a 30 cm do chão, 2011, Metal replica of railing from artist's atelier and concrete. Action performed by artist or someone representing artist during opening, 125 x 350 (diam.) cm
E=E, 2023
Industrial paint on ceiling lamps from the SIMALA studio, fluorescent lamp, steel cable, electrical cable, stainless steel clamp, braided nylon rope and heat shrink cable, Variable dimensions. Photo: Bruno Lopes
Sala de exposição - norma, 2001-2021, Modular iron structure, iron fittings and lacquering with RAL (6021), 300 x 400 x 500 cm
Guarda a 30 cm do chão, 2011, Metal replica of railing from artist's atelier and concrete. Action performed by artist or someone representing artist during opening, 125 x 350 (diam.) cm
Exhibitions
Articles
Trans/formar, José Luís Porfírio, August 2026
On “Desisto — o que não vejo imagino”…, Maria Brás Ferreira, July 2026
On expanding time:…, Dela Christin Miessen, April 2025
Canhoto As Zurdo, at Kindred Spirit Projects, José Pardal Pina, June 2024
Inhabitants ou imitar o andar, by Nuno Sousa Vieira, José Pardal Pina, July 2023
Pelo que não se vê by Nuno Sousa Vieira, Daniel Madeira, May 2023
Uma vida inteira, by Nuno Sousa Vieira, José Pardal Pina, October 2021
Entre o atelier e as exposições de Nuno Sousa Vieira…, José Marmeleira, October 2021
Deep Line, by Nuno Sousa Vieira, José Pardal Pina, November 2020
Nuno Sousa Vieira. Entre o chão e o céu, Celso Martins, November 2020