Evy Jokhova

Exhibition view, "Dear Image Part II", 3+1 Arte Contemporânea, Lisbon, 2020. (photo: Bruno Lopes)

Exhibition view, "Dear Image Part II", 3+1 Arte Contemporânea, Lisbon, 2020. (photo: Bruno Lopes)

Exhibition view, "On Photographic Beings", curated by Paulius Petraitis, Riga Photography Biennial, Latvian National Museum of Art, Riga, Latvia, 2020. Work 'Mirror Image'. (photo: Kristine Madjare)

Exhibition view, "On Photographic Beings", curated by Paulius Petraitis, Riga Photography Biennial, Latvian National Museum of Art, Riga, Latvia, 2020. Work 'Mirror Image'. (photo: Kristine Madjare)

Installation view, 'Olympia I', curated by George Marsh, Contemporary Sculpture Fulmer, UK, 2018

Installation view, 'Olympia I', curated by George Marsh, Contemporary Sculpture Fulmer, UK, 2018

Installation view, '4- Totem XII', in "The Garden", Curated by Lisa Kandlohofer, Vienna, Austria, 2018

Installation view, '4- Totem XII', in "The Garden", Curated by Lisa Kandlohofer, Vienna, Austria, 2018

Installation view, 'In this hot desert I miss the snow', ( HD video installation, stone, clay, wood, wheels, dimensions variable) Yarat Contemporary Art Space, Azerbaijan, 2018

Installation view, 'In this hot desert I miss the snow', ( HD video installation, stone, clay, wood, wheels, dimensions variable) Yarat Contemporary Art Space, Azerbaijan, 2018

'The Shape of Ritual', Commissioned by the Belvedere Museum, Viena, Austria, 2017. (photo: Ulrich A. Reiterer)

'The Shape of Ritual', Commissioned by the Belvedere Museum, Viena, Austria, 2017. (photo: Ulrich A. Reiterer)

Evy Jokhova (Suiça, 1984) vive e trabalha entre Lisboa, Londres e Viena. Jokhova é uma artista multidisciplinar cuja prática dedica-se aos diálogos e relações entre a antropologia social, a arquitetura, a filosofia e a arte. Através do desenho, escultura, instalação, som, vídeo e performance, procura colmatar as lacunas entre as diversas áreas e as suas estruturas hierárquicas inerentes. Obteve o seu MA Fine Art da Royal College of Art (2011) e MA Political Communications de Goldsmith College (2013). Jokhova recebeu os prémios de Arts Council Individual Grants Award (2018), Royal Academy Schools Fellowship (2016-19), Royal British Society of Sculptors Bursary Award (2017-18), Wien Kultur Förderung (2017) e Amsterdam Fonds voor Kultur (2018). Das suas residências artísticas contam-se Belvedere Museum Vienna (2017), Yarat Contemporary Art Space (2018), BijlmAIR Amsterdam (2017), Villa Lena (2017), Nida Art Colony (2017) e Florence Trust (2008-09). Exposições individuais: Between these lines I operate, Galeria Foco (Lisboa 2019); Weighed down by stones, Lily Brooke (Londres 2018); I dance for you my edifice, l’etrangere (Londres 2018); The Shape of Ritual, comissionado pelo Belvedere Museum (Viena 2017); How to live together, CBK Zuidoost (Amsterdão, 2018); Towering in the conditions of fragments, Passen-gers (Londres 2017); Staccato, Marcelle Joseph Projects (Londres 2016). Exposições coletivas recentes: Ponto d’Orvalho, com curadoria de Joana Horta, Leonor Carrilho e Sergio Hydalgo, (Freixo de Meio, Alentejo 2021); WOTRUBA. Himmelwärts, com curadoria de Gabrielle Stöger-Spevak, Belvedere Museum, (Vienna, 2021); Art in the Plague Year, com curadoria de  Douglas McCulloh, Nikolay Maslov e Rita Souther, UCR California Museum of Photography, (California, 2021); On Photographic Beings, Latvian National Museum (Riga 2020); Nuovo Cinema Galleria, Galeria Vera Cortes (Lisboa 2020); Boundary Layers, Yarat Contemporary Art Space, (Baku 2019); Prevent this Tragedy, Dateagle / Vongoetz Art (Londres 2018); The Garden, Lisa Kandlhofer Galerie (Viena 2018); Contemporary Sculpture Fulmer, William Benington Gallery (Londres 2018), Better Living: Tenderflix film festival, The Horse Hospital (Londres 2017) entre outras. A artista é responsavel desde 2014 pelo projeto Allotment – uma investigação colaborativa que explora as relações sociais e cultura política através da comida. Os trabalhos de Evy Jokhova fazem parte de coleções públicas tais como British Government Art Collection, Reino Unido; Lafayette College Library, EUA; Royal College of Art, Reino Unido; e Royal Shakespeare Company, Reino Unido.

Selected woks

Alessandro, 2020
Stoneware clay and fabric, 42 x 15.5 x 27 cm
(photo: Bruno Lopes)

Alessandro, 2020
Stoneware clay and fabric, 42 x 15.5 x 27 cm
(photo: Bruno Lopes)

Waldblume, 2019, Wool embroidery on acrylic mesh, tiles, 166 x 211 x 24 cm.
(photo: photodocumenta)

Waldblume, 2019, Wool embroidery on acrylic mesh, tiles, 166 x 211 x 24 cm.
(photo: photodocumenta)

Bruised, 2019, Archival print on Somerset, concrete, vinyl on wall,
220 x 560 x 5cm

Bruised, 2019, Archival print on Somerset, concrete, vinyl on wall,
220 x 560 x 5cm

Kristoff, 2019, Fabric, tassels, toast, steel, 50 x 50 x 15 cm.
(photo: photodocumenta)

Kristoff, 2019, Fabric, tassels, toast, steel, 50 x 50 x 15 cm.
(photo: photodocumenta)

Aude, 2019, Stoneware ceramic, tassel, 38 x 14 x14 cm.
(photo: photodocumenta)

Aude, 2019, Stoneware ceramic, tassel, 38 x 14 x14 cm.
(photo: photodocumenta)

After Roberte II, 2020, Pencil on paper,
21 x 14,7 cm

After Roberte II, 2020, Pencil on paper,
21 x 14,7 cm

From Memory XIV, 2020, Print on vinyl, wool, diptych, 45 x 30 cm

From Memory XIV, 2020, Print on vinyl, wool, diptych, 45 x 30 cm

Max, 2019, Stoneware ceramic and ribbon,
56 x 20 x 12 cm

Max, 2019, Stoneware ceramic and ribbon,
56 x 20 x 12 cm

Swan Circle, 2020, Archival print on Hahnemuhle paper, 102 x 68 cm, Edition 1/3 + 1 AP

Swan Circle, 2020, Archival print on Hahnemuhle paper, 102 x 68 cm, Edition 1/3 + 1 AP

From Memory XIII, 2020, Print on vinyl, wool, 53 x 30 cm

From Memory XIII, 2020, Print on vinyl, wool, 53 x 30 cm

Leyla, 2019, Stoneware ceramics, tassels, 25 x 21 x 8,5 cm

Leyla, 2019, Stoneware ceramics, tassels, 25 x 21 x 8,5 cm

Evy Jokhova, Nadja, 2020, Stoneware ceramic, print on vinyl, wool, ribbon, 68 x 60 cm. (photo: Bruno Lopes)

Evy Jokhova, Nadja, 2020, Stoneware ceramic, print on vinyl, wool, ribbon, 68 x 60 cm. (photo: Bruno Lopes)

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